吃鲸鱼的宇宙人
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阿巴斯的电影探索其实很有阶段性,七十年代题材写实,八十年代直接纪实,九十年代叙事虚实交错,新千年后的电影还未涉猎不好说,但前面提到的每一个时期,他都热衷于再现最真实的伊朗人文面貌,心理的、社会的、风光的。《婚礼服》便是阿巴斯七十年代的常规作品,从内容到技法都很有个人印记,不过就这一时期的作品个人暂时最喜欢的还是《过客》。
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A woman orders a suit from a tailor for her young son to wear to her sister's wedding. The tailor's apprentice, together with two other teenage boys who work in the same building, devise a plan to try on the suit at night to see what it feels like. Things get a little complicated but in the morning, at the last possible minute, they manage to return the suit to its proper place.
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